Tuesday, May 22, 2012

The Arborealis Prize for Poetry


The Ontario Poetry Society is accepting entries from Canadian poets for The Arborealis Prize for Poetry 2012. First prize: $250. Selected poems to be published in an anthology. Entries should be in the people poet's tradition. 

Deadline: July 31, 2012

Entry fee: $15 for 3 poems. All prize-winning entries plus up to 60 additional runners-up will published in Arorealis, our perfect-bound anthology of contemporary Canadian poetry. All poets whose work is selected for the book will receive one free copy of the anthology. 

See Brian Henry's schedule here, including writing workshops and creative writing courses in Kingston, Peterborough, Toronto, Mississauga, Brampton, Georgetown, Oakville, Burlington, St. Catharines, Hamilton, Dundas, Kitchener, Guelph, London, Woodstock, Orangeville, Newmarket, Barrie, Gravenhurst, Sudbury, Muskoka, Peel, Halton, the GTA, Ontario and beyond.

Monday, May 21, 2012

A new racism in our kids' schools


On May 5, an American, Tim Wise, was a keynote speaker at the Toronto District School Board’s  (TDSB’s) Futures Conference on Equity and Inclusive Education.

Wise is a card-carrying member of the American far left who doesn’t believe Israel has any right to exist. Moreover, he frequently writes for the far left magazine Counterpunch. 

This magazine also publishes articles by the Holocaust denier Israel Shamir, by Gilad Atzmon who suggests that “maybe Hitler was right,” and by James Petras who believes that the “Zionist power configuration” controls America.

Strange company for a man who calls himself an anti-racist. But in truth, Wise’s mission is to emphasize racial divisions, not bridge them, and on May 5, he lectured Canadian teachers about the evils of “white privilege.”

In his essays, Wise explains white privilege thus: “The concept is rooted in the common-sense observation that there can be no down without an up.” Or if blacks are underprivileged, whites must be “overprivileged.”

To illustrate, Wise gives a laundry list of supposed white privileges, including “not having to worry about triggering negative stereotypes, rarely having to feel out of place, not having to worry about racial profiling, etc.”

Note that these privileges are defined negatively. Obviously, stereotyping is wrong. But how does not being stereotyped amount to a privilege? Or if blacks are deprived of dignity, are we to understand that whites must have too much of it, as if there’s just so much human dignity to go around?

Of course some people do come from a privileged background. I’d say that President Obama’s kids have a leg up on most people – and good for them! Life’s too short to worry about other people’s luck.

But the notion of white privilege is disconnected from any actual privilege. The claim is that ordinary, fair-minded and hardworking Canadians have more than they deserve – but only if they’re white.

A poor white kid with a single mom on welfare may not have breakfast, but theoretically he has a whole knapsack of privileges: male privilege, hetero privilege, ablest privilege – you name it.

Theorists of privilege fall into such absurdities because they discard individuals and see only groups; thus if some whites have been racists, all whites – you, me and our grand kids – are accountable for it.

So, for example, in “Of National Lies and Racial America,” Wise writes: “For most white folks, indignation just doesn’t wear well.”

Why? Because whites are morally compromised by the “genocide of indigenous persons, and the enslavement of Africans.” Obviously, no whites living today committed these crimes but other white people did and so, by the raced-based logic of privilege, whites today bear the responsibility.

Unfortunately, inviting Wise isn’t a one off for the Toronto District School Board. Much worse, the Board incorporates the notion of privilege into the curriculum with learning resources such as the “GLSEN Jump Start Guide: Examining Power, Privilege and Oppression.”

The literature on white privilege notes that students resist the concept. Sociologists Dan Pence and Arthur Fields write: “White students often react to in-class discussions about white privilege with a continuum of behaviors ranging from outright hostility to a ‘wall of silence.’"

Pence and Fields never consider that the students may correctly perceive themselves to be under racist attack.

The GLSEN guide recommended by the Toronto Board instructs teachers to solicit confessions from students about “the times that they have been oppressive or have used their privilege over someone else.”

Doubtless, our kids find it hard to come up with suitable sins. To help them, the guide gives an example: planning “a trip together without recognizing that one member of the group cannot afford to participate.”

That may not sound like oppression to me and you, but it’s all grist for teaching our kids that they’re part of a system of oppression that has produced every crime from slavery to genocide. The GLSEN guide observes that students may feel guilty. What a surprise!

Things may get worse. Professors at the Ontario Institute for Studies in Education (OISE) and the departments of education at York and Ryerson universities are busily lecturing student teachers on the ideology of white privilege.

This hit the news back in 2010 when the media noticed that OISE had granted a student a master’s degree for a thesis denouncing Jews as privileged and racist and Holocaust education as a Zionist plot. (Read the Toronto Star's report on the scandal here, Werner Cohn's essay here, and his follow-ups here.)

It should come as no surprise that theorists who divides people into oppressed and oppressor groups, into good races and bad should put Jews in the bad column, particularly as the further to the left one goes, the more common it is to find people examining race through the lens of oppression and privilege.

As a parent of two kids in a Toronto public school, I'm glad to say that Toronto School Board truly does support equality for all our students, regardless of race, religion or sexual orientation – and usually gets things right (though certainly not always). But because it does  support equality, the Board must expel the notion of white privilege.


P.S. If Tim Wise has ever given two minutes thought to Canada, it’s not evident from his writings, but no one should doubt his talents as a speaker. At the TDSB’s Futures Conference, he reportedly compared being a person of colour to a disability, castigated Canadians for pervasive racism, and received a standing ovation. 

You can read a report on his talk here. Also, it was Richard K over at Eye on a Crazy Planet who broke the story about Tim Wise speaking at the TDSB's Future's Conference. Be sure to read his original piece here.

A slightly shorter version of this piece was originally published in the Jewish Tribune and on Harry's Place in Britain. To read more of my opinion pieces, visit my other blog here.

Sunday, May 20, 2012

The Daughter of Siena by Marina Fiorato, reviewed by Charlene Jones


St. Martin's Press, 2011; 380 pages $16.99

If you’re not a picky reader you’ll find The Daughter of Siena a page-turner. But, alas, for readers like me, a little knowledge is a dangerous thing, and when it comes to reading fiction, it’s also a distracting thing.

Although the story of The Daughter of Siena rings with  intrigue, with a love readers recognize as destined to unfold in spite of horrible happenings to our heroine, a few details distract.
  
New born babies for instance. The author of The Daughter of Siena, Marina Fiorato has her Medici royalty, the otherwise very interesting and historically correct Violante de Medici pouring motherʼs milk into the mouths of her newborn twin boys. Distraction!

Newborn babies do not suckle on nipples ready to spill mommaʼs milk. That takes three days, as colostrums, a thin white substance filled to overflowing with immune-building stuff drips out first. Yes, drips. Often new parents have to express the colostrums into a spoon and then drip it from a syringe into the tiny babyʼs open mouth. Bliss for baby!

Never mind. Letʼs enter the world of Siena in the early sixteenth century and keep turning pages. Until that is Fiorato does it again. This time it’s horses. My family raised horses. Iʼve been around horses most of my life. They do not ever respond well to being eye-balled, even if you blind their wide vision. The reason is the great mare who heads each herd uses direct eye contact to signal punishment to any member. The punishment requires the horse must leave the herd for a short time. Banished! Exiled!

Only when the mare lowers her eyes in response to the gentle, direct eye contact of the offender, is he or she allowed back. Horses are deeply social animals. To be left outside their herd for even a short time is big punishment.

If you stare into the eyes of a horse, therefore, he or she will try to back up, will skit and skirt around because direct eye contact signals they have done something wrong and something bad is going to happen.

Thatʼs the trouble with a little knowledge, bits of trivia about the world. It can get in the way when reading an otherwise satisfying book, such as The Daughter of Siena. One is pushed from the entertainment, one rises from it, distracted, rather like a fly on fresh meringue. Now, is it possible to have a fly, which weighs a certain amount, on top of meringue?

I donʼt know the answer to that and canʼt be expected to, just as I must not expect writers to have all details of every bit of life at the drip of an ink pen. However, writers must have details of all their characters in place throughout the book. Fiorato on page 42 states unequivocally: “In fact the horseman didnʼt remember a time when he had ever been afraid.” 

A few pages later when we know the handsome horseman as Riccardo Bruni, Fiorato writes with flourish: “Riccardo, his knees giving way with fear, allowed himself to be dragged away” (p.115). She continues: “Ricardo threw up again and again into the ashes, and as he emptied his stomach on to the razed ground he vowed never to be afraid again” (p116).

Call me picky, but I like consistency in my characters. If you tell me on p 42 someone has never been afraid, Iʼll buy in. Iʼm gullible. I want to believe. I want that character to never have felt fear. Then, if you tell me on page 115 and 116 heʼs throwing up with fear, I lose confidence. It makes the rest of the story feel less authentic.

I did finish the book. I finished it in part to be able to write this review. I pushed past the description of starlings that fly up in the sky over and over and over again. I read past the use of the word “gainsay” as in quarrel or disagree with, three times through about twenty pages.

I pushed past because the book has one quality of really good writing: a great story. The accurate history of Violante de Medici, her unrequited love, her determination to create a more stable city out of Siena, and especially the intrigue involving a yearly horse race, makes for a good page turning experience. The historicity of Siena in the early 1500ʼs reads in a compelling, fascinating manner.

I understand not all editors know everything and therefore some details of horse sense, and babies at the breast escape notice. My question is how editors and writer alike might miss the inconsistency of the character Riccardo Bruni, and the repetition of starlings. But then, perhaps I am too easily distracted by a little knowledge and too ready to gainsay.

Charlene Jones has two books of poetry to her credit, as well as several individual poems published in many North American magazines, and is at work on her first novel. In addition, Charlene writes for the Musselman’s Lake Residents Association website (here), is the Musselman Lake Correspondent for the Stouffville Free Press. You can read some of Charlene’s poetry here and here, her review of R.D. Cain’s Cherry Beach Express here, and a short essay here.

See Brian Henry's schedule here, including writing workshops and creative writing courses in Kingston, Peterborough, Toronto, Mississauga, Brampton, Georgetown, Oakville, Burlington, St. Catharines, Hamilton, Dundas, Kitchener, Guelph, London, Woodstock, Orangeville, Newmarket, Barrie, Gravenhurst, Sudbury, Muskoka, Peel, Halton, the GTA, Ontario and beyond.

Saturday, May 19, 2012

Literary agents Ariella Feiner & Jodie Marsh seek adult fiction, children's books and YA


Ariella Feiner, agent Simon Trewin, author Catherine Banner
and agent Tessa Girvan (foreign rights)

United Agents is a large literary and talent agency in the UK. Founded in 2007, it is owned by its employees.  The agency welcomes submissions from prospective authors. Check out their different agents and direct your query to one of them.

Unless an agent states otherwise, the agency prefers to see a full outline for non-fiction projects or a synopsis of your novel and the first three chapters, along with a query letter telling about yourself and your writing career to date.  

Ariella Feiner has recently been promoted  from being an agent’s assistant to being an associate agent, which means she’s now taking on her own clients. Ariella says she is on the lookout for anything which is extremely well-written, in particular: reading group books, young adult novels, historical fiction, crime novels and thrillers, and anything like The Lovely Bones or The Night Circus, which breaks the mould.

Query Ariella at afeiner@unitedagents.co.uk 
Include the first 10,000 words of your manuscript and a synopsis.

Jodie March and illustrator Jamie Littler
Jodie Marsh specializes in books for children and for young adults. Jodie enjoys strong and original storytelling. “I love reading an idea or a collection of beautifully put together words that jump out of the page as something I haven’t seen before. I have a passion for funny writing for 9–12s and also a penchant for the gritty and dark for all ages.”

Submissions:
For picture Books, e-mail at least three stories – not in a series – as separate Word documents, with a covering e-mail.
Illustrators should e-mail a selection of JPEGs with a covering e-mail. If you also write stories, please send those along too.
For fiction, e-mail the first three chapters and a synopsis as Word docs with a covering e-mail.
Email your submissions to: jmarsh@unitedagents.co.uk

See UA’s complete list of literary agents here.

Brian Henry will lead a "Writing for Children and for Young Adults" workshop in Oakville on June 2 (see here).

Brian will also lead "How to Get Published" workshops on Saturday, June 9, in Brampton with Monica Pacheco of The Anne McDermid literary agency (see here), and on Saturday, June 16, in Hamilton with Carly Watters of P.S. Literary Agency (see here).

See Brian's full schedule here, including writing workshops and creative writing courses in Kingston, Peterborough, Toronto, Mississauga, Brampton, Georgetown, Oakville, Burlington, St. Catharines, Hamilton, Dundas, Kitchener, Guelph, London, Woodstock, Orangeville, Newmarket, Barrie, Gravenhurst, Sudbury, Muskoka, Peel, Halton, the GTA, Ontario and beyond.

Friday, May 18, 2012

How to Make Yourself Write workshop, Peterborough, Ontario, Sunday, Aug 26


How to Make Yourself Write
A creativity workout

Sunday, August 26, 2012
1:00 – 4:30 p.m. 
Jackson Creek , 481 Reid Street, Peterborough (Map 
here.)

Let's get motivated! This workshop is designed to help you find the time and the inspiration to write. No more staring at a blank screen. Come to this workshop and give yourself a kick-start, and then learn how to keep going. This creativity workout will get your words flowing and help you make the breakthrough into the next level of writing.

Workshop leader Brian Henry has been a book editor and creative writing teacher for more than 25 years. He teaches creative writing at Ryerson University and has led workshops everywhere from Boston to Buffalo and from Sarnia to Charlottetown. But his proudest boast is that he has helped many of his students get their first book published.

Fee: $32.74 + 13% hst = $37 paid in advance
or $35.40 + 13% hst =
 $40 if you wait to pay at the door.

To reserve your spot, email 
brianhenry@sympatico.ca 

See Brian's full schedule here, including writing workshops and creative writing courses in Kingston, Peterborough, Toronto, Mississauga, Brampton, Georgetown, Oakville, Burlington, St. Catharines, Hamilton, Dundas, Kitchener, Guelph, London, Woodstock, Orangeville, Newmarket, Barrie, Gravenhurst, Sudbury, Muskoka, Peel, Halton, the GTA, Ontario and beyond.

Thursday, May 17, 2012


You’re invited to a


book launch for


Brock’s Railroad

Come meet the author Tom Taylor, and enjoy appetizers and drinks at the Blue Heron book store.

Tuesday May 29, 2012

From 7:00pm to 8:00pm

Blue Heron Books
62 Brock Street West
Uxbridge, Ontario
L9P 1N1
Tel: 905-852-4282

Can’t make it- check out www.tomtaylor.ca for upcoming events.

See Brian Henry's schedule here, including writing workshops and creative writing courses in Kingston, Peterborough, Toronto, Mississauga, Brampton, Georgetown, Oakville, Burlington, St. Catharines, Hamilton, Dundas, Kitchener, Guelph, London, Woodstock, Orangeville, Newmarket, Barrie, Gravenhurst, Sudbury, Muskoka, Peel, Halton, the GTA, Ontario and beyond.

Wednesday, May 16, 2012

How to Make Yourself Write workshop, Kingston, Ontario, Saturday, August 25


How to Make Yourself Write
A creativity workout

Saturday, August 25, 2012
1:00 – 4:30 p.m. 
Lions Club, 935 Sydenham Road, Kingston. (Map 
here.)

Let's get motivated! This workshop is designed to help you find the time and the inspiration to write. No more staring at a blank screen. Come to this workshop and give yourself a kick-start, and then learn how to keep going. This creativity workout will get your words flowing and help you make the breakthrough into the next level of writing.

Workshop leader Brian Henry has been a book editor and creative writing teacher for more than 25 years. He teaches creative writing at Ryerson University and has led workshops everywhere from Boston to Buffalo and from Sarnia to Charlottetown. But his proudest boast is that he has helped many of his students get their first book published.

Fee: $32.74 + 13% hst = $37 paid in advance
or $35.40 + 13% hst =
 $40 if you wait to pay at the door.

To reserve your spot, email 
brianhenry@sympatico.ca 

See Brian's full schedule here, including writing workshops and creative writing courses in Kingston, Peterborough, Toronto, Mississauga, Brampton, Georgetown, Oakville, Burlington, St. Catharines, Hamilton, Dundas, Kitchener, Guelph, London, Woodstock, Orangeville, Newmarket, Barrie, Gravenhurst, Sudbury, Muskoka, Peel, Halton, the GTA, Ontario and beyond.

Tuesday, May 15, 2012

Love Letters and Writer to Writer


Hi, Brian.
First of all, thank you so much for all that you do. Writing can be a lonely business, and the many resources you offer for writers makes if feel less so. My recent news is that my young adult novel To Dance in Liradon will be published by Soul Mate Publishing this September. In addition, my short story "The Other Karen," appears in the April issue of The Devilfish Review.
Best wishes,
Adrienne Clarke

You can read Adrienne’s piece hereSee information on submitting to Devilfish, see here


Hello, Brian.
Several years ago, I had the pleasure of attending one of your "How To Get Published" workshops. It provided me with invaluable information. Even though it's been a few years since that workshop, I still refer to the notes I took that day!
I am the author of several romance novels, and have recently been contracted to Liquid Silver Books, an ebook publisher out of Indiana. They will be publishing my paranormal romance "For the Love of a God" on April 23, and my contemporary romance "Up in Flames" on May 28. 
I wanted to share this with you and your community of writers at The Quick Brown Fox. I thank you for the information you share and the work you do, and am happy to consider myself one of your success stories!
Many thanks,
Rosanna Leo

Note: I have two  "How to Get Published" workshops coming up: on Saturday, June 9, in Brampton with Monica Pacheco of The Anne McDermid literary agency (see here) and on Saturday, June 16, in Hamilton with Carly Watters of P.S. Literary Agency (see here).


Dear Brian:
Many thanks for the Intensive course I took with you a few months back. I followed many tips offered in that experience, and submitted a piece to a site you listed on Quick Brown Fox: featherlit.com. Now I have a piece published in the April issue!
Thanks for all you do, Brian, for everyone who loves to write.
Charlene Jones
Read Charlene's story, "Small Unmade Bed" here
For information on submitting to FeatherLit see here.


Writer to Writer

Looking for feedback and encouragement?
All Toronto area writers are welcome to join the regular weekly meetings of the High Park Writers’ Group. We meet every Saturday morning, from 9:30 a.m. - 11 a.m. at the High Park Library (a branch of the Toronto library system), 228 Roncesvalles Ave., Toronto. No need to register just drop in and participate.
Thanks,
Nancy Kay Clark
CommuterLit editor

Writing group wanted. 
Must be in Kitchener-Waterloo or Cambridge. Please email anna.breen53@gmail.com

See my full schedule here, including writing workshops and creative writing courses in Kingston, Peterborough, Toronto, Mississauga, Brampton, Georgetown, Oakville, Burlington, St. Catharines, Hamilton, Dundas, Kitchener, Guelph, London, Woodstock, Orangeville, Newmarket, Barrie, Gravenhurst, Sudbury, Muskoka, Peel, Halton, the GTA, Ontario and beyond